Juan Dolhare

born 1978, Argentina

Juan Dolhare

Tele-Vision, 2017

oil on canvas

59h x 98w in

 

Juan Dolhare

Land & Escape, 2017

Oil on canvas

78h x 165w in

 

Juan Dolhare

Land / Escape I, 2016

etching

18 64/127h x 24 47/127w in

 

Juan Dolhare

Land / Escape II, 2016

etching

18 64/127h x 24 47/127w in

JuDo028

Juan Dolhare

Teuthida, 2016

Oil on canvas

32h x 45w in

 

Juan Dolhare

Untitled, 2013

Oil on canvas

33h x 41w in

 

Juan Dolhare

El Presidigitador Alado, 2012

Oil on canvas

58 3/4h x 78 1/2w in

 

Juan Dolhare

Persistencia II, 2011

Oil on canvas

59h x 42w in

 

Juan Dolhare

El Sueño de las Dos Casas y las Dos Mucamas, 2010

Oil on canvas

85h x 59w in

Biography

Biography

Juan Dolhare (1978) is a painter from Buenos Aires, Argentina. He utilizes composition, color, and juxtaposition to explore public, political, and religious themes. Many of his works use symbolism to represent pressing societal issues.

Dolhare was the first-ever graduate of the National University of the Arts (UNA) in Buenos Aires, formerly known as the highly-recognized Escuela Nacional de Bellas Artes. He has participated in numerous collective and solo shows in Argentina and the United States. In 2015, Dolhare was invited by the prestigious Centro Cultural Recoleta in Buenos Aires to have a solo show curated by Rodrigo Alonso, curator for the Argentinian Pavilion at the 54th Venice Biennale and one of Latin America’s most influential curators. More recently in 2018, Dolhare was invited to have a solo exhibition at Galería Revolver in Buenos Aires, and he will be completing an artist residency at the McColl Center for Art + Innovation in Charlotte, NC.  His work can be found in private collections in Argentina, Spain, Nigeria, Scotland, and the United States. Dolhare has been serving as a faculty member of UNA teaching drawing and painting since 2006.


The line. The incomplete object. The useless mechanism.

Everything can be adrift. Everything can be a question.

I work in a system of suspended images that speculates what lies ahead. My space is an ambiguous one, with a diffused temporality.

I attempt to empty the meaning and abandon the inherent nature of objects; the processes; the experience of the object itself; and the knowledge of it.

I think in a fossil world of objects, without people.


- Juan Dolhare

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